#AMREADING VLADIMIR
SOROKIN,THE BLIZZARD – A METAPHYSICAL
JOURNEY.
A
country doctor is trying to reach a town where people are dying of an epidemic,
but a blizzard prevents him from continuing his journey. He is stranded in a
village until Crouper, the bread man, volunteers to drive him through the
night.
Snowdrifts had blown
up against the old, sunken log house. In the mudroom he could make out two large barrels, a wheel barrow, and a pile of
junk. He made his way to the burlap-insulated door, ducking to miss the lintel
overhead. Logs burned in a large Russian ceramic stove, a wood salt cellar
stood by itself on the table, a round loaf of bread lay under a towel, a lone
icon occupied a dark corner, and a pendulum clock hung on the wall like an orphan.
The only pieces of furniture were a chest and an iron bed frame.
We
are in Chekov’s Russia, right? But then again…
Your sledmobile –
what power is it? The doctor asked.
Fifty horses.
The stable was divided
in half. There was a workbench with little hammers, tiny pincers, a gimlet, a
ceramic cup filled with tiny kopeck-sized horseshoes. Then came a partition,
and behind it, the horse stalls. Smiling, Crouper leaned over the partition,
and the whinnies of fifty small horses filled the air. They playfully nipped
his hand with their tiny teeth and pressed their warm nostrils against his
fingers. Each horse was no bigger than a partridge.
Oh,
we are in a 19th century fairytale!
The
road is buried in snow. The horses are exhausted. The two men stop at a miller’s
house, where we seem to enter the 20th century, since they are
watching “radio”.
The miller’s wife
pressed the red button on the remote. The radio clicked and a round hologram
with a thick number 1 in the right corner appeared above them.
Something
is a little out of whack here, but the ensuing bedroom scene is entirely
normal, or let’s say, timeless. The miller’s wife visits the doctor in the
guest bedroom. He readily accepts her invitation.
He threw back the
blanket in one movement, stood up, and embraced her warm soft, large frame. He
didn’t want to let her go. He pressed against her body and his lips found her
neck. The woman smelled of sweat, vodka and lavender oil. In one movement he
tore off her nightgown and grabbed her by the butt. Her bottom was big and
plushy and cool.
The
next morning the two men journey on into some future century, enjoying the hospitality
of drug dealers, the Vitaminders, who give the doctor pleasant dreams and grow
a stable for the little horses. They spray the ground with “Living Water”. A gray paste stirred, and felt fabric began
to grow for it fiber by fiber. Despite the snow, three felt walls grew until
they surrounded the sled and its owner..
But
the next morning it’s back to the 19th century. The blizzard is
still raging, as they continue their journey. Soon they are yanked to a halt
and into another fairyland situation. A drunken giant has collapsed in the
road. The runner of their sleigh is caught in his nostril.
Crouper had trouble
chopping through the nose cartilage. The runner that had caught in the nostril
was visible now. They rocked the sled, but the runner wouldn’t come loose. It
has pierced the maxillary sinus and got stuck there, said the doctor, examining
the situation.
They
cannot free the sledge and are forced to spend the night in the snow. In
another nod to the futuristic genre, the doctor is rescued by the Chinese, but
Crouper is dead.
The
doctor mourns his comrade. Tears
streamed down his cheeks. He clutched his pince-nez and kept shaking it,
shaking and shaking, as though conducting some unseen orchestra of grief,
crying and swaying in strong Chinese arms.
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