# AMREADING HARUKI
MURAKAMI, WIND/PINBALL
Two short novels Murakami wrote them in the 70s. His mode of
operation: When I got home late from
work, I sat at my kitchen table and wrote. The desire to write felt like something that had come
fluttering down from the sky, and I had caught it cleanly in my hands…It was
like a revelation. Or maybe “epiphany” is a better word.
The
result was a kind of diary/philosophy of life.
BEING
COOL.There was a time when everyone
wanted to be cool. I
decided to express only half of what I was really feeling. For the next several
years this was how I behaved. At which point I discovered that I had turned
into a person incapable of expressing more than half of what he felt.
UNHAPPINESS.
It
appeared as though time had stopped, as if all of a sudden its flow
had been severed. He had no idea why things had changed. Nor did he know
how to search for the severed end…He was s powerless and lonely as a winter fly
stripped of its wings, or a river confronting the sea. An ill wind had arisen
somewhere, and it was blowing the warm, familiar air that had embraced him to
the other side of the planet.
THE
CITY. I sniffed rain. A few autumn birds
cut across the sky. The drone of the I was everywhere, a mix of countless
sounds: subway trains, sizzling hamburgers, cars on elevated highways,
automatic door opening and closing.
PINBALL
MACHINE – THE MASTER. He would
insert one of the coins to start the machine, snap the plunger a few times, and
then shoot a ball out onto the playfield in a bored sort of way. With that
single ball he checked the magnets on all the bumpers, tested all the lanes,
and knocked down the targets one by one. The drop target, the kick-out hole,
the rotating target. Next, he set off all the bonus lights and then wrapped up
the job by dispatching the ball into the exit drain with a look of complete
disinterest. All in less time than it takes to smoke half a cigarette.